That's What She Read

There is a reason why authors tend to shy away from a second person narrative. It is incredibly difficult to use effectively and can have disastrous consequences for a story if not done well. Blackbird is an example of how a second person narration can destroy an entire novel. At no point in time does the narration become nothing more than a distraction. In fact, it distances a reader rather than build a connection. This results in readers being emotionally removed from the main character and a story that is supposed to be suspenseful but is not.

Another major issue with the novel is the sheer number of unanswered questions remaining when the story ends. Readers are given virtually nothing that would pique their interest in further adventures. One hopes for some answers to help make sense of the unfolding story, but the most one receives in Blackbird is the main character’s real name and confirmation that her dreams are her returning memories. The how and why she finds herself in her current situation remains nebulous, and the story ends as she continues to run away from those hunting her without really understanding where she is going or how she is going to take the stand she says she is going to make.

Blackbird tries too hard to be edgy and different. The use of second person is an example of this; it is also an example of its failure. Readers will never meld with the main character, and the story remains disjointed and remote – the exact opposite of what Ms. Carey was attempting to achieve with her narration choice. The story itself is not terribly exciting, and readers finish the book with too many questions and not enough answers. Combined with the mediocre storyline and lackluster suspense, it is enough to halt any further interest in the next book in the story.